My books explore where perception, memory, psychology, and myth all overlap in everyday life, where what we think of as reality is never quite as fixed as it first appears, but instead shifts depending on how it is seen, remembered, and carried forward through experience and story.
I’ve always been interested in how two people can stand in the same place and walk away with completely different versions of what happened. Neither one of them is lying, they are simply living inside different angles of the same event. My father once put it to me very simply: “If you interview ten people at the scene of an accident, you will get ten different stories,” and I’ve never really stopped thinking about that.
Across fiction, memoir, poetry, and historical narrative, I keep returning to the same underlying question, which is how human beings take the raw material of their inner and outer lives and turn it into something that feels like meaning, something that can be carried, remembered, and sometimes even survived.
WHAT YOU WILL FIND
My stories are set in recognisable places. However, the setting is less important than what happens when reality begins to shift. These tales are about people who are complex and messy. No one is a hero. Protagonists and antagonists alike are imperfect beings.
I use the word beings deliberately, as some figures are drawn from mythology or psychology and appear across several books as though they are human. They enter the narrative without changing anything visible on the surface. They become mirrors for the protagonists.
WHERE TO BEGIN
There is no single entry point into my stories. Some readers begin with a psychological thread, others with contemporary settings that feel immediately familiar, and others are drawn first to the more mythic or historical material. There is no required order, and no system that needs to be learned before the work can be read.
What matters more is recognition—finding the place where something in the story feels close enough to your own experience that you are willing to follow it further, even if you are not yet sure where it is leading.
ENTRY POINTS
If you are new to the work, you might begin here:
A Small Company of Pilgrims
A journey along the Camino de Santiago where psychology, memory, and myth begin to overlap in the lived experience of the protagonist. What begins as pilgrimage slowly becomes something more interior, where perception itself starts to shift.
Time’s Children
Set in contemporary Canada, this novel moves through political fragmentation, misinformation, and cultural uncertainty, while quietly asking how collective meaning is formed—and how quickly it can change.
Broken Boy
A narrative shaped by identity, inheritance, and memory, where Indigenous and European roots intersect with questions of belonging, continuity, and survival. It traces the long after-effects of childhood experience and the process of trying to make sense of what remains.