The Temple of the Seven Dolls, a different Mayan structure from all others found in Mexico built in the 7th century, sits at the centre of the Dzibilchaltun Mayan ruins. It is a square building with four sets of stairs and entrances that correspond to the four cardinal directions – north, east, south and west. On each wall there are two sets of windows, one on each side of an entrance. During the spring and fall equinoxes, the sun’s rays flow directly through the east and west entrances to flow down the sacbe (white road) to a smaller square structure, a sundial, which also has four sets of steps. At the summer solstice, the sun’s rays enter the north-east window of the north wall and exit at the north-west window of the west wall. During the winter solstice, the sun’s light enters through the south-east window of the south wall to exit through the south-west window of the west wall. In this photo, I am looking out at the sundial and the sacbe that goes on through the Mayan grounds.
Again, I wondered at what is drawing me out here to speak. The sun, a quaternity – a mandala on a grand scale.
AS ITS fourfold structure indicates the mandala is a symbol of totality, forming, like the Platonic world-soul, a rounded whole “sufficient to itself,”1 a complete being “organised in accordance with its own internal laws”. 2 For Jung the mandala is a symbol of the Self, that psychic totality which is indescribable except in antinomies and indistinguishable from the imago Dei. Its essential nature is unavoidably irrational and irrepresentable, for the union of opposites is a paradox beyond our comprehension. But the age-old mandala is not a rational product of discriminating consciousness; like all true symbols it stems from unconscious sources of creativity, which transcend or predate the world-creating division of opposites. (The Meaning of the Mandala, Philip Williams, June 2000)
The “Self”, the unconscious well-springs of the “self”, the source of the unifying principal within each of us. It’s amazing how so many ideas of C.G. Jung’s are finding an outward expression in this ancient land of the Mayans.